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March 31, 2017
Comfortably Numb: a review of Zero K (Don DeLillo) by Nina Allan
March 31, 2017By Nina Allan Zero K — Don DeLillo (Picador) The guide explained the meaning of the term Zero K. This was...
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March 30, 2017
The Trees by Ali Shaw: a review by Maureen Kincaid Speller
March 30, 2017By Maureen Kincaid Speller The Trees — Ali Shaw (Bloomsbury) I put this novel on my shadow shortlist after reading the...
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March 29, 2017
The Destructives by Matthew de Abaitua: a review by Megan AM
March 29, 2017By Megan AM The Destructives — Matthew De Abaitua (Angry Robot) His instinct was to remember everything about individual humans. The...
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March 29, 2017
On Last Year’s Language: a keynote delivered at the Virtual Futures Salon
March 29, 2017By Dr. Helen Marshall, General Director of the Centre for Science Fiction and Fantasy This was adapted from the...
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March 28, 2017
Occupy Me by Tricia Sullivan: a review by Paul Kincaid
March 28, 2017By Paul Kincaid Occupy Me — Tricia Sullivan (Gollancz) Uncertainty is underrated as a state of consciousness. I don’t think my...
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March 27, 2017
The Power by Naomi Alderman: a review by Nick Hubble
March 27, 2017By Nick Hubble The Power — Naomi Alderman (Penguin Viking) In a recent article for the Guardian, ‘How to build a...
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March 24, 2017
Queer Sci Fi Flash Fiction Contest: “Renewal” (Due 10 April)
March 24, 2017“Every year, Queer Sci Fi holds a flash fiction contest to create an amazing new anthology of queer speculative...
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March 24, 2017
Central Station by Lavie Tidhar: a review by Victoria Hoyle
March 24, 2017By Victoria Hoyle Central Station — Lavie Tidhar (PS Publishing) I entered into Central Station with few expectations. It was my...
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March 23, 2017
Good Morning, Midnight by Lily Brooks-Dalton: a review by Megan AM
March 23, 2017By Megan AM Good Morning, Midnight — Lily Brooks-Dalton (Wiedenfeld & Nicolson) Good Morning, Midnight is a bit of a shortlist...
Archive for March, 2017
About The Centre
The Centre for Science Fiction and Fantasy connects two major strengths within Anglia Ruskin University: writing and publishing alongside literary criticism. It is comprised of Faculty members, associate lecturers and postgraduate and undergraduate students.