June 9, 2017June 9, 2017
By Victoria Hoyle Occupy Me — Tricia Sullivan (Gollancz) ‘What. The fuck. Just happened.’ (Occupy Me, 28) If not for my...
June 8, 2017
The (not really that) secret reason behind the Clarke Award revealing its submissions lists every year: a guest post by Tom HunterJune 8, 2017
By Tom Hunter First, congratulations to Gareth Powell, the winner of this year’s Guess the Clarke Shortlist competition! Gareth...
June 7, 2017June 7, 2017
By Paul Kincaid Central Station — Lavie Tidhar (PS Publishing) This is the future we were promised. This is what all...
June 5, 2017June 5, 2017
By Maureen Kincaid Speller The Many Selves of Katherine North — Emma Geen (Bloomsbury) Of the six novels on my personal...
June 1, 2017June 1, 2017
By Nina Allan The Underground Railroad — Colson Whitehead (Fleet) I could tell by the way they pulled her arms into...
May 30, 2017May 30, 2017
By Jonathan McCalmont Ninefox Gambit — Yoon Ha Lee (Solaris) It is hard to think of a work that does a...
May 25, 2017May 25, 2017
By Gareth Beniston Some thoughts. If anyone has ever read my blog they will, I hope, see that most...
May 24, 2017May 24, 2017
By Megan AM The Underground Railroad — Colson Whitehead (Fleet) The most famous, most advertised of the six novels on the...
May 22, 2017May 22, 2017
By Paul Kincaid The Gradual — Christopher Priest (Gollancz) The other day, when I was reviewing Good Morning, Midnight by Lily...
May 18, 2017May 18, 2017
By Nina Allan Occupy Me — Tricia Sullivan (Gollancz) And then came 72B. There was something almost poetic about the way...
Shadow Jury 2017
Anglia Ruskin Centre for Science Fiction & Fantasy > Arthur C. Clarke Shadow Jury > Shadow Jury 2017
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The Centre for Science Fiction and Fantasy connects two major strengths within Anglia Ruskin University: writing and publishing alongside literary criticism. It is comprised of Faculty members, associate lecturers and postgraduate and undergraduate students.