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June 8, 2017
The (not really that) secret reason behind the Clarke Award revealing its submissions lists every year: a guest post by Tom Hunter
June 8, 2017By Tom Hunter First, congratulations to Gareth Powell, the winner of this year’s Guess the Clarke Shortlist competition! Gareth...
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June 7, 2017
Central Station by Lavie Tidhar: a review by Paul Kincaid
June 7, 2017By Paul Kincaid Central Station — Lavie Tidhar (PS Publishing) This is the future we were promised. This is what all...
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June 5, 2017
The Many Selves of Katherine North by Emma Geen: a review by Maureen Kincaid Speller
June 5, 2017By Maureen Kincaid Speller The Many Selves of Katherine North — Emma Geen (Bloomsbury) Of the six novels on my personal...
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June 1, 2017
Running Strictly to Timetable: The Underground Railroad by Colson Whitehead: a review by Nina Allan
June 1, 2017By Nina Allan The Underground Railroad — Colson Whitehead (Fleet) I could tell by the way they pulled her arms into...
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May 30, 2017
Ninefox Gambit by Yoon Ha Lee: a review by Jonathan McCalmont
May 30, 2017By Jonathan McCalmont Ninefox Gambit — Yoon Ha Lee (Solaris) It is hard to think of a work that does a...
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May 29, 2017
Call for Abstracts: Edge Poetics, a Symposium
May 29, 2017EDGE POETICS A SYMPOSIUM ON INNOVATIVE AND SPECULATIVE CREATIVE WRITING PRACTICES IN HIGHER EDUCATION 4th November 2017 10.00-17.30, with a...
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May 25, 2017
Clarke Thoughts: a guest post by Gareth Beniston
May 25, 2017By Gareth Beniston Some thoughts. If anyone has ever read my blog they will, I hope, see that most...
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May 24, 2017
The Underground Railroad by Colson Whitehead: a review by Megan AM
May 24, 2017By Megan AM The Underground Railroad — Colson Whitehead (Fleet) The most famous, most advertised of the six novels on the...
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May 22, 2017
The Gradual by Christopher Priest: a review by Paul Kincaid
May 22, 2017By Paul Kincaid The Gradual — Christopher Priest (Gollancz) The other day, when I was reviewing Good Morning, Midnight by Lily...
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May 18, 2017
The Thriller’s Chilling Grip: Occupy Me by Tricia Sullivan – a review by Nina Allan
May 18, 2017By Nina Allan Occupy Me — Tricia Sullivan (Gollancz) And then came 72B. There was something almost poetic about the way...
Archive for 2017
About The Centre
The Centre for Science Fiction and Fantasy connects two major strengths within Anglia Ruskin University: writing and publishing alongside literary criticism. It is comprised of Faculty members, associate lecturers and postgraduate and undergraduate students.