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February 14, 2018
Introducing Foz Meadows
February 14, 2018By Foz Meadows When I was growing up, my parents worked with words: my mother as an editor and...
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February 8, 2018
Introducing Maureen Kincaid Speller
February 8, 2018By Maureen Kincaid Speller I find it difficult to talk about how I write critically because it is a...
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February 7, 2018
Introducing Samira Nadkarni
February 7, 2018By Samira Nadkarni Awards make me uncomfortable. I have multiple reasons for this – most reading experiences tend to...
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February 6, 2018
Conversations in a Noisy Room: Introducing Gary K. Wolfe
February 6, 2018By Gary K. Wolfe I’m writing this as all of us are still struggling to come to terms with...
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January 30, 2018
Introducing Alasdair Stuart
January 30, 2018By Alasdair Stuart * Magic tricks are stories with applause at the end. They are structured like jokes, designed...
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January 26, 2018
2018 Wilbur Smith Adventure Writing Prize
January 26, 2018“We believe adventure is a broad genre and other works of fiction, say crime, thrillers, fantasy or historical, are...
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January 23, 2018
Call for Papers: LondonMoot (Deadline 5 March)
January 23, 2018LondonMoot 28th April 2018 9:00 – 17:30 Sir David Davies lecture theatre, G08 Roberts Building (UCL) Torrington Place, London...
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January 23, 2018
Shakespeare and Science Fiction Conference Schedule (28 April 2018)
January 23, 2018Shakespeare and Science Fiction Sponsored by BSA HEL 201, Anglia Ruskin University 28 April 2018 To register for this...
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January 23, 2018
You’re Never Alone with a Critic – Shadowing the Clarke Award, 2018
January 23, 2018By Maureen Kincaid Speller Last year, when the first Shadow Clarke jury convened, its jurors had no idea how...
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January 23, 2018
And Now for a Word from our Hosts
January 23, 2018By Dr. Helen Marshall, General Director of the Centre for Science Fiction and Fantasy Last year we convened the...
Archive for 2018
About The Centre
The Centre for Science Fiction and Fantasy connects two major strengths within Anglia Ruskin University: writing and publishing alongside literary criticism. It is comprised of Faculty members, associate lecturers and postgraduate and undergraduate students.