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March 30, 2017
The Trees by Ali Shaw: a review by Maureen Kincaid Speller
March 30, 2017By Maureen Kincaid Speller The Trees — Ali Shaw (Bloomsbury) I put this novel on my shadow shortlist after reading the...
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March 29, 2017
The Destructives by Matthew de Abaitua: a review by Megan AM
March 29, 2017By Megan AM The Destructives — Matthew De Abaitua (Angry Robot) His instinct was to remember everything about individual humans. The...
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March 28, 2017
Occupy Me by Tricia Sullivan: a review by Paul Kincaid
March 28, 2017By Paul Kincaid Occupy Me — Tricia Sullivan (Gollancz) Uncertainty is underrated as a state of consciousness. I don’t think my...
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March 27, 2017
The Power by Naomi Alderman: a review by Nick Hubble
March 27, 2017By Nick Hubble The Power — Naomi Alderman (Penguin Viking) In a recent article for the Guardian, ‘How to build a...
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March 24, 2017
Central Station by Lavie Tidhar: a review by Victoria Hoyle
March 24, 2017By Victoria Hoyle Central Station — Lavie Tidhar (PS Publishing) I entered into Central Station with few expectations. It was my...
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March 23, 2017
Good Morning, Midnight by Lily Brooks-Dalton: a review by Megan AM
March 23, 2017By Megan AM Good Morning, Midnight — Lily Brooks-Dalton (Wiedenfeld & Nicolson) Good Morning, Midnight is a bit of a shortlist...
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March 22, 2017
The Many Selves of Katherine North by Emma Geen: a review by David Hebblethwaite
March 22, 2017By David Hebblethwaite The Many Selves of Katherine North — Emma Geen (Bloomsbury) When she was young, Katherine North went on...
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March 21, 2017
Trouble in Paradise: a review by Nina Allan
March 21, 2017By Nina Allan Fair Rebel — Steph Swainston (Gollancz) When discussing Steph Swainston’s fiction within the context of the Clarke Award,...
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March 20, 2017
On Joanna Kavenna’s A Field Guide to Reality: a review by Jonathan McCalmont
March 20, 2017By Jonathan McCalmont A Field Guide to Reality — Joanna Kavenna (Riverrun) Like most middle-class activities, book reviewing is constrained by...
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March 17, 2017
Azanian Bridges by Nick Wood: a review by Paul Kincaid
March 17, 2017By Paul Kincaid * Azanian Bridges — Nick Wood (NewCon Press) If science fiction doesn’t make us look differently at our...
Shadow Jury 2017
Anglia Ruskin Centre for Science Fiction & Fantasy > Arthur C. Clarke Shadow Jury > Shadow Jury 2017
About The Centre
The Centre for Science Fiction and Fantasy connects two major strengths within Anglia Ruskin University: writing and publishing alongside literary criticism. It is comprised of Faculty members, associate lecturers and postgraduate and undergraduate students.