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March 27, 2017
The Power by Naomi Alderman: a review by Nick Hubble
March 27, 2017By Nick Hubble The Power — Naomi Alderman (Penguin Viking) In a recent article for the Guardian, ‘How to build a...
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March 24, 2017
Central Station by Lavie Tidhar: a review by Victoria Hoyle
March 24, 2017By Victoria Hoyle Central Station — Lavie Tidhar (PS Publishing) I entered into Central Station with few expectations. It was my...
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March 23, 2017
Good Morning, Midnight by Lily Brooks-Dalton: a review by Megan AM
March 23, 2017By Megan AM Good Morning, Midnight — Lily Brooks-Dalton (Wiedenfeld & Nicolson) Good Morning, Midnight is a bit of a shortlist...
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March 22, 2017
The Many Selves of Katherine North by Emma Geen: a review by David Hebblethwaite
March 22, 2017By David Hebblethwaite The Many Selves of Katherine North — Emma Geen (Bloomsbury) When she was young, Katherine North went on...
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March 21, 2017
Trouble in Paradise: a review by Nina Allan
March 21, 2017By Nina Allan Fair Rebel — Steph Swainston (Gollancz) When discussing Steph Swainston’s fiction within the context of the Clarke Award,...
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March 20, 2017
On Joanna Kavenna’s A Field Guide to Reality: a review by Jonathan McCalmont
March 20, 2017By Jonathan McCalmont A Field Guide to Reality — Joanna Kavenna (Riverrun) Like most middle-class activities, book reviewing is constrained by...
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March 17, 2017
Azanian Bridges by Nick Wood: a review by Paul Kincaid
March 17, 2017By Paul Kincaid * Azanian Bridges — Nick Wood (NewCon Press) If science fiction doesn’t make us look differently at our...
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March 16, 2017
The Gradual by Christopher Priest: a review by David Hebblethwaite
March 16, 2017By David Hebblethwaite The Gradual — Christopher Priest (Gollancz) We begin with a blank page: whether writing a novel or a...
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March 15, 2017
The Underground Railroad by Colson Whitehead: a review by Paul Kincaid
March 15, 2017The Underground Railroad — Colson Whitehead (Fleet) The Underground Railroad is, perhaps, the best novel of 2016. I qualify that statement...
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March 13, 2017
Central Station by Lavie Tidhar: a review by Maureen Kincaid Speller
March 13, 2017By Maureen Kincaid Speller Central Station — Lavie Tidhar (PS Publishing) The shelves inside were arranged by genre Life wasn’t...
Posts tagged with ‘review’
About The Centre
The Centre for Science Fiction and Fantasy connects two major strengths within Anglia Ruskin University: writing and publishing alongside literary criticism. It is comprised of Faculty members, associate lecturers and postgraduate and undergraduate students.