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April 4, 2017
The Underground Railroad by Colson Whitehead: a review by Nick Hubble
April 4, 2017By Nick Hubble The Underground Railroad — Colson Whitehead (Fleet) At the climax of Whitehead’s deservedly award-winning novel, the slave-catcher, Ridgeway,...
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April 3, 2017
Radiance by Catherynne M. Valente: a review by Victoria Hoyle
April 3, 2017By Victoria Hoyle Radiance — Catherynne M. Valente (Corsair) Imagine a table laden with all the food you can think of;...
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March 31, 2017
Comfortably Numb: a review of Zero K (Don DeLillo) by Nina Allan
March 31, 2017By Nina Allan Zero K — Don DeLillo (Picador) The guide explained the meaning of the term Zero K. This was...
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March 29, 2017
The Destructives by Matthew de Abaitua: a review by Megan AM
March 29, 2017By Megan AM The Destructives — Matthew De Abaitua (Angry Robot) His instinct was to remember everything about individual humans. The...
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March 28, 2017
Occupy Me by Tricia Sullivan: a review by Paul Kincaid
March 28, 2017By Paul Kincaid Occupy Me — Tricia Sullivan (Gollancz) Uncertainty is underrated as a state of consciousness. I don’t think my...
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March 27, 2017
The Power by Naomi Alderman: a review by Nick Hubble
March 27, 2017By Nick Hubble The Power — Naomi Alderman (Penguin Viking) In a recent article for the Guardian, ‘How to build a...
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March 23, 2017
Good Morning, Midnight by Lily Brooks-Dalton: a review by Megan AM
March 23, 2017By Megan AM Good Morning, Midnight — Lily Brooks-Dalton (Wiedenfeld & Nicolson) Good Morning, Midnight is a bit of a shortlist...
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March 21, 2017
Trouble in Paradise: a review by Nina Allan
March 21, 2017By Nina Allan Fair Rebel — Steph Swainston (Gollancz) When discussing Steph Swainston’s fiction within the context of the Clarke Award,...
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March 20, 2017
On Joanna Kavenna’s A Field Guide to Reality: a review by Jonathan McCalmont
March 20, 2017By Jonathan McCalmont A Field Guide to Reality — Joanna Kavenna (Riverrun) Like most middle-class activities, book reviewing is constrained by...
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March 17, 2017
Azanian Bridges by Nick Wood: a review by Paul Kincaid
March 17, 2017By Paul Kincaid * Azanian Bridges — Nick Wood (NewCon Press) If science fiction doesn’t make us look differently at our...
Posts tagged with ‘shortlist’
About The Centre
The Centre for Science Fiction and Fantasy connects two major strengths within Anglia Ruskin University: writing and publishing alongside literary criticism. It is comprised of Faculty members, associate lecturers and postgraduate and undergraduate students.